It's been far too long since my last post to the chronicle of this blog. I have been training for a new post within my company and have left art to itself for far too long. Recently I excepted a commission that will take me on a journey of self discovery through my own faith. One that if I put the necessary effort into it will take fourteen months at best.
The fourteen stations of the cross. A Catholic Icon and a personal challenge for me to say the least. I have never attempted such a massive collection of paintings in a suite and it is proving to be quite the undertaking. The painting part isn't new but all the logistics of the work as a whole is the daunting part. Matching the colors from one piece to the next, Making sure the light and time of day are accurate , etc. But the biggest challenge of all seems to lie in the weather. I keep the studio during winter here in SD at a chilly 55-60 degrees. This keeps the paint from freezing and the conditions just so as to facilitate some speed in which to work. Motivation in the cold is difficult, painting when one's fingers are numb is difficult to say the least.
I have tried to do as much research on both the subject as well as the methods they used as I could. I am starting with black primed canvases and tinting them like they did back in the last part of the 1800's. Although they didn't use black then a Grisaille is a tinted canvas and I wanted them to have a richness to them as time went on.I have chosen to stay close to the original compostions that have been in this church for close to a hundred years. They are Italian paper prints glued to canvas backings. I changed the compositions where I felt shortcuts were taken by the printmakers. The process is different obviously between oil painting and process printing done back then so I wanted to correct anything I saw that I could. The bold flat color layed down by their process has it's place but is too stark for me so I soften it when I could. Here is station One